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Réti Opening

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You play White · 28 variations

Mixed practice

The machine picks a different variation every time.

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10 positions: find the next theory move in each. No take-backs, no hints.

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Opponent strength after the book

Opponent strength after the book

Stockfish 19 · UCI_Elo

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Main variations · 16

Other variations · 12

What is the Réti Opening?

The Réti Opening is 1.Nf3 d5 2.c4. Named after Richard Réti, it is a hypermodern opening: instead of occupying the centre with pawns, White attacks Black's d5 pawn from the flank and controls the centre with pieces, usually with a kingside fianchetto and sometimes a double fianchetto with b3 and Bb2. The positions are flexible and positional, and the Réti is a fully mainstream choice that can transpose into the English Opening, the Queen's Gambit or the Catalan.

Main ideas and plans

Your typical set-up is g3, Bg2 and O-O, combined with either b3 and Bb2 or a later d4. The c4 pawn pressures d5, and your bishop on g2 adds pressure along the long diagonal. Black's most solid answer is the Anglo-Slav Variation, 1.Nf3 d5 2.c4 c6, where Black supports d5 and can develop the bishop to f5 or g4 before ...e6. A classic way to meet it is the double fianchetto, 1.Nf3 d5 2.c4 c6 3.b3 Nf6 4.g3 Bf5 5.Bg2 e6 6.Bb2, followed by O-O, d3, Nbd2 and later e4 or a timely cxd5 to open the c-file. You can also play d4 and transpose to Slav or Catalan structures.

If Black gains space with 1.Nf3 d5 2.c4 d4, you fight back with e3 or b4 and a fianchetto, often reaching a reversed Benoni structure in which your extra tempo counts. Against 1.Nf3 d5 2.c4 dxc4, you regain the pawn with e3 and Bxc4, with Na3 and Nxc4, or with a queen check on a4. Black can also set up with ...e6 and ...Nf6 as in the Queen's Gambit Declined, after which you choose between a Catalan-style d4 and a quieter plan with b3. The many gambits and odd defences against the Réti are best met with calm development rather than greed.

Who is it for?

The Réti suits positional players who like flexibility, manoeuvring and understanding structures more than memorising forcing lines, and it fits well if you also play the English or the Catalan. Its downside is that Black can equalise comfortably with sound set-ups if you play automatically, and the many transpositions mean you need to know several pawn structures. First learn the plan against the Anglo-Slav set-up with the bishop on f5 or g4, and how to react to the space-gaining ...d4.